{"title":"\"Memory \u0026 Identity\" Collection","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSova Lova's first collection explores the themes of \u003c\/span\u003e\u003cstrong\u003eMemory \u0026amp; Identity\u003c\/strong\u003e\u003cspan\u003e. \u003c\/span\u003e\u003cspan\u003eInspired by Los Angeles itself, this collection is dedicated to a city built by people who carry one world within them while creating another. It is a place shaped by migration, reinvention, and cultural translation. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","products":[{"product_id":"onipko-sky-textile","title":"Clouds","description":"\u003cp\u003eCumulus banks fill the lower half in pale blue, the sky behind them woven in fine vertical streaks like falling light. Above them a bird crosses in flat grey silhouette, wings spread wide enough to fill the whole upper field. The two halves hold the same moment at different distances, the sky as you'd photograph it, and the sky as you'd remember it afterward. \u003cmeta charset=\"utf-8\"\u003eThe design appears on the front side. Ribbed cream edge, studio seal at lower corner.\u003c\/p\u003e\n\u003cp\u003eAlexandra Onipko is an artist, designer and the founder of \u003cem\u003eOnipko\u003c\/em\u003e, a textile brand built on her original graphic work. Before \u003cem\u003eOnipko\u003c\/em\u003e, she trained as an architect and worked as an art director on animated films for major international brands. Her first hand-knitted throw in 2020 grew into a limited-edition collection of throws, tapestries and tablecloths, now found in homes around the world.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 51 × 67 inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e 50% wool, 50% acrylic\u003c\/p\u003e","brand":"SovaLova LA","offers":[{"title":"Default Title","offer_id":54264393433454,"sku":"SL-006","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-026-sky1-webcrop.jpg?v=1790674019"},{"product_id":"liba-birds-textile","title":"Birds in a Tree","description":"\u003cp\u003eWild doves in a teal flowering canopy against a warm terracotta sky of a southern evening. \u003c\/p\u003e\n\u003cp\u003eValery and Vitaly Liba have been weaving together for more than twenty-five years. Born on the White Sea and raised on the Black Sea coast, they draw their palette from the southern landscape: feather-grass steppes, acacia gardens, and the shifting light of the sea. Each piece begins with months of drawings before a single thread is chosen.\u003c\/p\u003e\n\u003cp\u003eThe tapestry is woven on a Jacquard loom, a nineteenth-century invention programmed with punch cards and considered a direct ancestor of the modern computer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e63 × 80 inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e50% cotton, 50% polyester\u003c\/p\u003e","brand":"SovaLova LA","offers":[{"title":"Default Title","offer_id":54264399462766,"sku":"SL-003","price":3000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/birds-in-tree-1.png?v=1791410205"},{"product_id":"aida-m-somewhere-we-dont-belong-textile","title":"Somewhere Where We Don't Belong","description":"\u003cp\u003eA line of wind-bent trees runs along a low horizon, and everything between them and the viewer is water, field and light in flat bands — olive, mauve, a broad stripe of orange, a grey shore at the bottom edge. The far side is close enough to make out tree by tree and too far to reach. A distant shore, seen from the wrong side of the water.\u003c\/p\u003e\n\u003cp\u003eAida Mahmudova is an established Azerbaijani artist whose landscapes and semi-abstract canvases have been exhibited internationally. She paints fluid landscapes, memories, and spaces using a soft, earthly palette. This blanket, produced by CHELEBI, translates her painting into cotton jacquard and is released in a limited edition.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 71 \u003cmeta charset=\"utf-8\"\u003e× 51 inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e 100% cotton\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"SovaLova LA","offers":[{"title":"Default Title","offer_id":54264402903406,"sku":"SL-011","price":900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-011-bl-1-web.jpg?v=1790533116"},{"product_id":"girls-with-fruit-silk-scarf","title":"Girls with Fruit","description":"\u003cp\u003eTwo archival photographs sit against wide fields of dusty pink. On the left, hands reach up into a citrus tree, a woven basket filling in the grass below: a fruit harvest in southern Azerbaijan, in the Lankaran region. On the right, an all-girl folk ensemble in embroidered dress, \u003cmeta charset=\"utf-8\"\u003ecaught mid-song with tar and saz string instruments and a ghaval frame drum. Between them, nothing but color. The empty ground is what lets both scenes breathe.\u003c\/p\u003e\n\u003cp\u003eThe photographs are by Isay Rubenchik, one of Azerbaijan's outstanding photographers. Printed on pure silk by CHELEBI and finished with a deep burgundy border.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eWear it around the neck, in the hair, tied to a bag, or frame it as an artwork.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 35 \u003cmeta charset=\"utf-8\"\u003e× 35 inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003e100% silk\u003c\/p\u003e","brand":"SovaLova LA","offers":[{"title":"Default Title","offer_id":54368794509678,"sku":"SL-013","price":550.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-013-1-web.jpg?v=1790963002"},{"product_id":"the-enchanting-azerbaijani-lady-ceramics-plate","title":"The Enchanting Azerbaijani Lady","description":"\u003cp\u003eA woman stands in profile on a covered gallery, in a striped silk jacket with wide sleeves, a patterned headscarf and long drop earrings. Behind her a girl in a floral dress turns toward the camera and blurs. Baku, 1890.\u003c\/p\u003e\n\u003cp\u003ePaul Nadar\u003cstrong\u003e \u003c\/strong\u003e(1856–1939) inherited the Paris studio of his father Nadar and became a portrait photographer of the first rank. In 1890 the Compagnie Internationale des Wagons-Lits sent him to photograph an expedition through the Caucasus and Turkestan. He left Paris on 28 August, crossed the Black Sea to Batumi, travelled on to Tiflis, then Baku, then across the Caspian into Central Asia. Mosques, bazaars, oil fields, falconry, desert and the people of both the new century and the old one.\u003c\/p\u003e\n\u003cp\u003eOne plate from a limited-edition series produced by CHELEBI, each carrying an image from that journey of a country that would change beyond recognition within a century.\u003c\/p\u003e\n\u003cp\u003eDecorative use only: not intended for food, and not dishwasher or microwave safe. Wipe clean with a soft damp cloth. No stand or wall fixing is included.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize\u003c\/strong\u003e: 10 inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eceramic\u003c\/p\u003e","brand":"SovaLova LA","offers":[{"title":"Default Title","offer_id":54368800801134,"sku":"SL-014","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-014-1-web.jpg?v=1790532201"},{"product_id":"valkeda-seagull-mobile-birch-wood","title":"Gull mobile","description":"\u003cp\u003eA gull cut from solid ash; wings pitched at different angles. The planes are faceted and left bare, the grain is the only ornament. From the body a thread drops to a small carved fish, hanging just below. It hangs from a slender balance arm and moves on the air in the room.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eValkeda is an Eastern European studio working in a Nordic minimalist idiom. The name comes from a form of the Old Veps word for clean, white, with the stress on the first syllable. The studio describes its approach this way: forms as simple as beauty allows, and as ornamented as measure allows — emotional, but never overloaded. Restraint and accord.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 29.5 × 11.5 × 31.5 inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e solid ash\u003c\/p\u003e","brand":"Valkeda","offers":[{"title":"Default Title","offer_id":54371494625646,"sku":"SL-007","price":420.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-007-1-web.jpg?v=1790682409"},{"product_id":"valkeda-domino-birch-wood","title":"Solid Ash Domino","description":"\u003cp\u003eThe dominoes were inspired by vintage festive baking boards: carved molds with patterns of flowers, suns, and plants. These motifs were transferred to wood, creating an object that combines tradition, craftsmanship, and a modern take on the beauty of simple things.\u003c\/p\u003e\n\u003cp\u003eThese dominoes can be viewed, touched, played with, or kept as a warm reminder of the simple countrylife.\u003c\/p\u003e\n\u003cp\u003eValkeda is an Eastern European studio working in a Nordic minimalist idiom. The name comes from a form of the Old Veps word for clean, white, with the stress on the first syllable. The studio describes its approach this way: forms as simple as beauty allows, and as ornamented as measure allows — emotional, but never overloaded. Restraint and accord.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 10.5 × 3.6 × 2.2 inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e solid ash with wood oil finish\u003c\/p\u003e","brand":"SovaLova LA","offers":[{"title":"Default Title","offer_id":54371497443694,"sku":"SL-008","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-008-1-web.jpg?v=1790962104"},{"product_id":"deve-camel-candle-holder-ceramic","title":"Deve Emerald Camel","description":"\u003cp\u003eDeve is Azerbaijani for camel, and this one is down on the ground with its legs folded under it. Two humps rise from the body, the long neck curves up. Two sockets are set into the back between the humps. A deep emerald glaze runs over the whole form, pooling almost black in the hollows and breaking to pale green where it thins across the curves.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFarman Gasimov\u003cspan\u003e is the Azerbaijani artist behind the piece\u003c\/span\u003e\u003cspan\u003e, a sculptor and ceramicist who also holds a doctorate in art history. The two sides of his practice inform one another. He draws on historical sources, including ancient Azerbaijani animal figures and motifs from the eleventh-century Tabriz school, without treating them as replicas. His work has been exhibited in Baku and internationally, including at the Today Art Museum in Beijing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis piece is from \u003cem\u003eDolasan\u003c\/em\u003e, one of two collections he has designed for CHELEBI.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAlso available in \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/sovalovala.com\/products\/deve-camel-candle-holder-in-ivory-cermaic?variant=54371944726894\"\u003ecream\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize: \u003c\/strong\u003e7 × 5.5 \u003cmeta charset=\"utf-8\"\u003e× 5 inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eglazed ceramic\u003c\/p\u003e","brand":"SovaLova LA","offers":[{"title":"Default Title","offer_id":54371537650030,"sku":"SL-015","price":170.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-015_1-web.jpg?v=1790534934"},{"product_id":"deve-camel-candle-holder-in-ivory-cermaic","title":"Deve Speckled Camel","description":"\u003cp\u003eDeve\u003cspan\u003e is Azerbaijani for camel, and this one rests low to the ground with its legs folded beneath it. Two humps rise from the body as the long neck curves forward. Two sockets are set into the back between the humps. A cream glaze pools into green across the back and speckles down the flanks, settling unevenly over the form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFarman Gasimov is the Azerbaijani artist behind the piece\u003cspan\u003e, a sculptor and ceramicist who also holds a doctorate in art history. The two sides of his practice inform one another. He draws on historical sources, including ancient Azerbaijani animal figures and motifs from the eleventh-century Tabriz school, without treating them as replicas. His work has been exhibited in Baku and internationally, including at the Today Art Museum in Beijing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis piece is from \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eDolasan\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, one of two collections Gasimov has designed for CHELEBI.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAlso available in \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/sovalovala.com\/products\/deve-camel-candle-holder-ceramic?variant=54371537650030\"\u003eemerald\u003c\/a\u003e\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize: \u003c\/strong\u003e7 \u003cmeta charset=\"utf-8\"\u003e× 5.5 \u003cmeta charset=\"utf-8\"\u003e× 5 inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eglazed ceramic\u003c\/p\u003e","brand":"SovaLova LA","offers":[{"title":"Default Title","offer_id":54371944726894,"sku":"SL-016","price":170.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-016-1-web.jpg?v=1790535670"},{"product_id":"onipko-textile","title":"Forest","description":"\u003cp\u003e\u003cspan\u003eBirch trunks crowd the lower half, each drawn in fine dotted lines that read as bark from a distance and resolve into single stitches up close. 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Her first hand-knitted throw in 2020 grew into a limited-edition collection of throws, tapestries and tablecloths, now found in homes around the world.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 51 × 67 inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e 50% wool, 50% acrylic\u003c\/p\u003e","brand":"SovaLova LA","offers":[{"title":"Default Title","offer_id":54371957932398,"sku":"SL-005","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-005-forest1-webcrop.jpg?v=1790673812"},{"product_id":"horses-in-the-steppe-by-lebe-textile","title":"Horses in the Steppe","description":"\u003cp\u003eA herd in red, black and sand on an unbroken cream ground. There is no horizon, no ground line, nothing but the animals themselves. The flat silhouettes and the three-color palette put this somewhere between Scythian metalwork and black-figure vase painting.\u003c\/p\u003e\n\u003cp\u003eValery and Vitaly Liba have been weaving together for more than twenty-five years. Born on the White Sea and raised on the Black Sea coast, they draw their palette from the southern landscape: feather-grass steppes, acacia gardens, and the shifting light of the sea. Each piece begins with months of drawings before a single thread is chosen.\u003c\/p\u003e\n\u003cp\u003eThe tapestry is woven on a Jacquard loom, a nineteenth-century invention programmed with punch cards and considered a direct ancestor of the modern computer.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e63 × 122 inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e50% cotton, 50% polyester\u003c\/p\u003e","brand":"SovaLova LA","offers":[{"title":"Default Title","offer_id":54371968811374,"sku":"SL-002","price":5000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/horsesininteriorgen3.png?v=1791410681"},{"product_id":"eug","title":"Pivdennoukrainsk,Ukraine","description":"\u003cp\u003eA relief mosaic covers the entire face of an administrative building: a sunburst radiating in gold and orange from a single point, ringed by discs that read as planets or atoms, some with small spheres orbiting on stalks. 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The mosaic's author is unknown.\u003c\/p\u003e\n\u003cp\u003eFrom Yevgen Nikiforov's series \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/sovalovala.com\/collections\/yevgen-nikiforov\"\u003eUkrainian Soviet Mosaics\u003c\/a\u003e\u003c\/span\u003e, a photographic survey of monumental mosaic art across Ukraine.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEdition No: \u003c\/strong\u003e1\/10\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrint Size:\u003c\/strong\u003e 16 \u003cmeta charset=\"utf-8\"\u003e× 24 inches\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eOrientation: \u003c\/strong\u003elandscape\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMedium: \u003c\/b\u003edigital print, Hahnemuhle Photo Rag\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYear photograph was taken: \u003c\/strong\u003e2017\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYear print was produced: \u003c\/strong\u003e2026\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e© Yevgen Nikiforov. Image courtesy of the photographer and used with permission. All rights reserved. No reproduction, distribution, publication or commercial use without prior written permission.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5 style=\"text-align: left;\"\u003e\n\u003cstrong\u003e←\u003c\/strong\u003e\u003ca href=\"https:\/\/sovalovala.com\/collections\/yevgen-nikiforov\"\u003eYevgen Nikiforov Collection\u003c\/a\u003e\n\u003c\/h5\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54378818732398,"sku":"SL-032","price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/Pivdennoukrainsk.Ukraine.jpg?v=1790347889"},{"product_id":"birds-in-the-sky-textile","title":"Birds in the Sky","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eHundreds of birds repeat across a woven blue field in white outline and deep indigo. Near the centre, a single larger indigo bird breaks the rhythm, creating a quiet moment of difference within the flock.\u003c\/p\u003e\n\u003cp\u003eValery and Vitaly Liba have been weaving together for more than twenty-five years. Born on the White Sea and raised on the Black Sea coast, they draw their palette from the southern landscape: feather-grass steppes, acacia gardens, and the shifting light of the sea. Each piece begins with months of drawings before a single thread is chosen.\u003c\/p\u003e\n\u003cp\u003eThe tapestry is woven on a Jacquard loom, a nineteenth-century invention programmed with punch cards and considered a direct ancestor of the modern computer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e63 \u003cmeta charset=\"utf-8\"\u003e× 63 inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e50% cotton, 50% polyester\u003c\/p\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54429702553966,"sku":"SL-001","price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-001-alt-1-web-ed_31e35e3e-d2fd-4900-8554-bb7ab56a9a39.png?v=1791363069"},{"product_id":"blanket","title":"Sea","description":"\u003cp\u003eA cobalt sea fills the lower half, woven from thousands of short horizontal marks that scatter and thin toward the bottom edge until the water turns to light. Above the horizon the sun sits half-risen, its rays cut into clean grey wedges. The designer, Alexandra Onipko, describes the piece as being alone with the sea: catching that one sunset, taking the soft waves in. It's a blanket built for the end of a long day, and it feels like one. \u003cmeta charset=\"utf-8\"\u003eThe design appears on the front side. Ribbed cream edge, studio seal at lower corner.\u003c\/p\u003e\n\u003cp\u003eAlexandra Onipko is an artist, designer and the founder of \u003cem\u003eOnipko\u003c\/em\u003e, a textile brand built on her original graphic work. Before \u003cem\u003eOnipko\u003c\/em\u003e, she trained as an architect and worked as an art director on animated films for major international brands. Her first hand-knitted throw in 2020 grew into a limited-edition collection of throws, tapestries and tablecloths, now found in homes around the world.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 51 × 67 inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003e50% wool, 50% acrylic\u003c\/p\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54429708910958,"sku":"SL-004","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-004-sea1-cu-web_987de2eb-cdbb-4e5e-8945-fc75dfd8df76.png?v=1790673520"},{"product_id":"lilit-m-3","title":"Still Life | I Had Left My Home Early in the Morning","description":"\u003cp\u003eIn \u003cem\u003eI Had Left My Home Early in the Morning \u003c\/em\u003efrom the \u003cem\u003eStill Life \u003c\/em\u003eseries, Lilit Matevosyan traces a personal history of displacement through photography, collage, and archival materials. Developed between 2014 and 2017, the project follows the artist's journey across the places her family once called home, from Georgia and Armenia to Sakhalin Island and Sochi.\u003c\/p\u003e\n\u003cp\u003eInterweaving personal archives with contemporary images, the series reflects on migration, memory, and the lasting impact of departure. Moving between individual experience and collective history, the work gives form to the stories of a post-Soviet generation shaped by movement, loss, and the search for belonging.\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLilit Matevosyan is an artist, photographer, and video artist. Her practice explores memory, borders, and identity, rooted in the histories and landscapes of the South Caucasus and the Black Sea coast.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eType: \u003c\/span\u003e\u003c\/strong\u003ePhotography\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eEdition: \u003c\/strong\u003e7\/12 + 2АР\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003ePrint Size: \u003c\/strong\u003e14 × 17 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"yhAwj\"\u003e\u003c!--TgQPHd|||[]--\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePaper: \u003c\/strong\u003eHP Matte Litho-Realistic\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e©  All rights reserved. No reproduction, distribution, publication or commercial use without prior written permission.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5 style=\"text-align: left;\"\u003e\n\u003cstrong\u003e←\u003c\/strong\u003e \u003ca href=\"https:\/\/sovalovala.com\/collections\/lilit\"\u003e\u003cspan\u003eLilit Matevosyan\u003c\/span\u003e Collection\u003c\/a\u003e\n\u003c\/h5\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54433167737198,"sku":"SL-036","price":1750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/LM-works2w2kpx.jpg?v=1790075969"},{"product_id":"lilit-4","title":"Resort Boulevard 3.","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eFrom the series \u003ci\u003eWalks\u003c\/i\u003e by Lilit Matevosyan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eIn \u003ci\u003eWalks\u003c\/i\u003e, Lilit Matevosyan draws on archival materials to create mosaic-like images of towns along the Black Sea coast. Rejecting a linear narrative, the series unfolds through fragments of memory, reflecting on loss, transformation, and the changing landscapes of place.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eLilit Matevosyan is an artist, photographer, and video artist. In 2020, she co-founded \u003ci\u003eAerarium\u003c\/i\u003e, a self-organized artist initiative. Her practice explores memory, borders, and identity through the histories and landscapes of the South Caucasus and the Black Sea coast.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e 1 \u003cstrong\u003e\u003cimg\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 9 × 12 Inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e: paper, photographs, collage\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYear: \u003c\/strong\u003e2025\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e© SovaLova LA. All rights reserved. No reproduction, distribution, publication or commercial use without prior written permission.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5 style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e←\u003c\/strong\u003e \u003ca href=\"https:\/\/sovalovala.com\/collections\/lilit\"\u003e\u003cspan\u003eLilit Matevosyan\u003c\/span\u003e Collection\u003c\/a\u003e\n\u003c\/h5\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54433169572206,"sku":"SL-034","price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-034-1-web.jpg?v=1790849865"},{"product_id":"yn-1","title":"Shepetivka, Ukraine","description":"\u003cp\u003ePropoganda Museum was opened in Shepetivka as a memorial museum of Mykola Ostrovsky in 1974-79. Authors: Anatolii Ihnashchenko (architect), Anatolii Haidamaka (artist), with a team of about 80 artists. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEdition No: \u003c\/strong\u003e1\/10\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrint Size:\u003c\/strong\u003e 40x60 cm \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eOrientation: \u003c\/strong\u003eLandscape\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMedium: \u003c\/b\u003edigital print, Hahnemuhle Photo Rag\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYear photograph was taken: \u003c\/strong\u003e2017\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYear print was produced: \u003c\/strong\u003e2026\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e© Yevgen Nikiforov. Image courtesy of the photographer and used with permission. All rights reserved. No reproduction, distribution, publication or commercial use without prior written permission.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5 style=\"text-align: left;\"\u003e\n\u003cstrong\u003e←\u003c\/strong\u003e\u003ca href=\"https:\/\/sovalovala.com\/collections\/yevgen-nikiforov\"\u003eYevgen Nikiforov Collection\u003c\/a\u003e\n\u003c\/h5\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54586984038766,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/MG_4307.jpg?v=1786976091"},{"product_id":"f1","title":"Peacock Chair | Emma in Paraty series","description":"\u003cp class=\"MsoNormal\" style=\"text-align: left;\"\u003e\u003cspan lang=\"EN-US\"\u003eThe \u003cem\u003eEmma in Paraty\u003c\/em\u003e series begins with a memory from Olga Treivas’s childhood in the Soviet Union: a drawer where pieces of a kid’s metal construction kit lay tangled together with yarn. In this series that memory is reworked through the materials and craft traditions of Brazil. Cold metal is replaced with jatobá wood, while a perforated sun motif is filled with hand embroidery. The chair brings together two worlds that have shaped her visual language: the improvised, tactile material culture of her childhood and the warmth, materiality and craft traditions of Brazil. \u003cem\u003eEmma in Paraty \u003c\/em\u003epremiered at SP-Arte, São Paulo. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: left;\"\u003e\u003cspan lang=\"EN-US\"\u003eTreivas and her studio nicknamed the pieces \u003ci\u003esol na peneira\u003c\/i\u003e, a play on the Brazilian saying \u003ci\u003etapar o sol com a peneira\u003c\/i\u003e, literally “to cover the sun with a sieve”, used to describe an unconvincing attempt to hide a truth. The embroidery is deliberately irregular. Rather than concealing imperfection, the chair makes it part of the object’s character. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: left;\"\u003e\u003cspan lang=\"EN-US\"\u003eNow based in São Paulo, \u003cstrong\u003e \u003c\/strong\u003eOlga Treivas is an architect, designer and glass artist, and founder of Treivas Architecture Bureau. Her practice moves between architecture, collectible design and material experimentation, often bringing together historical references, craft and contemporary production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: left;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: left;\"\u003e\u003cstrong\u003eLimited edition.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: left;\"\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eSize: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e29 \u003cmeta charset=\"utf-8\"\u003e× 21 \u003cmeta charset=\"utf-8\"\u003e× 65 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: left;\"\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eMaterial\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e: \u003cmeta charset=\"utf-8\"\u003ejatobá wood (hymenaea courbaril), yarn\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54587030241646,"sku":"SL-020","price":5000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-020-Peacock-Chair-1web.jpg?v=1790432527"},{"product_id":"chess","title":"Artist-Designed Porcelain Chess Set","description":"\u003cp\u003eDesigned by Anna Kamyshan\u003cspan\u003e, this chess set pairs a chessboard upholstered in velvety nubuck leather with hand-made porcelain pieces. Kamyshan reinterprets the traditional set along more mystical lines, replacing the knights with four different animals. She describes her chess sets as constructed rather than simply designed: systems of meaning in which every piece carries its own narrative and presence. Made in London and Lviv. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAnna Kamyshan\u003cspan\u003e is a Ukrainian-born, London-based architect and multidisciplinary artist of Jewish heritage. Her practice moves between architecture, art, symbolism and ritual, exploring ideas of memory, belonging, spirituality and imagined futures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 2026, Kamyshan presented \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eNabatele: A Synagogue Over Venice\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e as an official Collateral Event of the 61st Venice Biennale. The large-scale installation suspended a shtetl synagogue on a floating rock above the Venetian lagoon, exploring ideas of refuge, displacement and belonging without territory.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan\u003eSize:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 16 inches board; piece sizes vary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMaterial:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e porcelain and nubuck leather\u003c\/span\u003e\u003c\/p\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54587032568174,"sku":"SL-025","price":5000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-025-alt3-web_f5869593-edac-4a83-81f6-7a434a3367b8.png?v=1791375699"},{"product_id":"chest","title":"Furniture I Emma in Paraty series","description":"\u003cp class=\"MsoNormal\" style=\"text-align: left;\"\u003e\u003cspan lang=\"EN-US\"\u003eThe \u003cem\u003eEmma in Paraty\u003c\/em\u003e series begins with a memory from Olga Treivas’s childhood in the Soviet Union: a drawer where pieces of a kid’s metal construction kit lay tangled together with yarn. In this series that memory is reworked through the materials and craft traditions of Brazil. Cold metal is replaced with jatobá wood, while a perforated sun motif is filled with hand embroidery. These furniture pieces bring together two worlds that have shaped her visual language: the improvised, tactile material culture of her childhood and the warmth, materiality and craft traditions of Brazil. \u003cem\u003eEmma in Paraty \u003c\/em\u003epremiered at SP-Arte, São Paulo. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: left;\"\u003e\u003cspan lang=\"EN-US\"\u003eTreivas and her studio nicknamed the pieces \u003ci\u003esol na peneira\u003c\/i\u003e, a play on the Brazilian saying \u003ci\u003etapar o sol com a peneira\u003c\/i\u003e, literally “to cover the sun with a sieve”, used to describe an unconvincing attempt to hide a truth. The embroidery is deliberately irregular. Rather than concealing imperfection, the chair makes it part of the object’s character. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: left;\"\u003e\u003cspan lang=\"EN-US\"\u003eNow based in São Paulo, \u003cstrong\u003e \u003c\/strong\u003eOlga Treivas is an architect, designer and glass artist, and founder of Treivas Architecture Bureau. Her practice moves between architecture, collectible design and material experimentation, often bringing together historical references, craft and contemporary production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan\u003eSize:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 43.3 × 23.6 × 13.8 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ejatobá wood (hymenaea courbaril), yarn\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54587080114542,"sku":"SL-022","price":3000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-022-coffee-table-1-crop-web.jpg?v=1790678040"},{"product_id":"plate-1","title":"#ilovedumplings | Plate Three","description":"\u003cp\u003eThis work is a part of Saule Dyussenbina's ongoing series \u003cem\u003e#ilovedumplings. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist’s statement:  \u003cem\u003eWe are what we eat. \u003c\/em\u003e\u003cem\u003eThe series began with a question: “Why are there no dumplings left?” Or perhaps with a memory. In the 1990s, I travelled from Kazakhstan to Moscow with my art school classmates for museum practice. After one of our museum visits, we went to eat at a dumpling café. We stood in line, and one of my classmates, a Kazakh student speaking Russian with a noticeable accent, asked exactly that question. I remember feeling a sharp sense of embarrassment at his mistake and the way he spoke.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLooking back now, I understand what kind of “dumplings” we all were. Those of us who had learned to feel ashamed of imperfect Russian, of an accent, and, by extension, of our own culture. My “dumplings” take on different social types and attitudes, from xenophobes and neophobes to housewives and other everyday characters. Imperfect, ridiculous and sometimes funny, they are trying to hold relevant conversations in difficult times. \u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSaule Dyussenbina is a multimedia artist living and working in Almaty (Kazakhstan), whose conceptually layered, often ironic work moves between Kazakh identity, feminism, history and design. Working across painting, print, video, performance and object-making, she merges traditional Kazakh ornament with personal history and global references. \u003c\/p\u003e\n\u003cp\u003eHer work has been shown at the 24th Biennale of Sydney, the Armory Show in New York, and the Dallas Art Fair, and is held in the collections of LACMA, the KADIST Art Foundation in Paris, and the A. Kasteyev State Museum of Arts in Almaty.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited edition for SovaLova LA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"bgLayers_comp-lmpxf0qy\" data-hook=\"bgLayers\" data-motion-part=\"BG_LAYER comp-lmpxf0qy\" class=\"QG9w8P\"\u003e\n\u003cdiv id=\"bgMedia_comp-lmpxf0qy\" data-motion-part=\"BG_MEDIA comp-lmpxf0qy\" class=\"ROWgFb\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eSeries: \u003c\/strong\u003e\u003cem\u003e#ilovedumplings \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize: \u003c\/strong\u003e14 inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eDecal on Porcelain\u003c\/p\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54587159249262,"sku":"SL-019","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-019-1-web.jpg?v=1790766015"},{"product_id":"plate-2","title":"#ilovedumplings | Plate Two","description":"\u003cp\u003eThis work is a part of Saule Dyussenbina's ongoing series \u003cem\u003e#ilovedumplings. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist’s statement:  \u003cem\u003eWe are what we eat. \u003c\/em\u003e\u003cem\u003eThe series began with a question: “Why are there no dumplings left?” Or perhaps with a memory. In the 1990s, I travelled from Kazakhstan to Moscow with my art school classmates for museum practice. After one of our museum visits, we went to eat at a dumpling café. We stood in line, and one of my classmates, a Kazakh student speaking Russian with a noticeable accent, asked exactly that question. I remember feeling a sharp sense of embarrassment at his mistake and the way he spoke.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLooking back now, I understand what kind of “dumplings” we all were. Those of us who had learned to feel ashamed of imperfect Russian, of an accent, and, by extension, of our own culture. My “dumplings” take on different social types and attitudes, from xenophobes and neophobes to housewives and other everyday characters. Imperfect, ridiculous and sometimes funny, they are trying to hold relevant conversations in difficult times. \u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSaule Dyussenbina is a multimedia artist living and working in Almaty (Kazakhstan), whose conceptually layered, often ironic work moves between Kazakh identity, feminism, history and design. Working across painting, print, video, performance and object-making, she merges traditional Kazakh ornament with personal history and global references. \u003c\/p\u003e\n\u003cp\u003eHer work has been shown at the 24th Biennale of Sydney, the Armory Show in New York, and the Dallas Art Fair, and is held in the collections of LACMA, the KADIST Art Foundation in Paris, and the A. Kasteyev State Museum of Arts in Almaty.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited edition for SovaLova LA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"bgLayers_comp-lmpxf0qy\" data-hook=\"bgLayers\" data-motion-part=\"BG_LAYER comp-lmpxf0qy\" class=\"QG9w8P\"\u003e\n\u003cdiv id=\"bgMedia_comp-lmpxf0qy\" data-motion-part=\"BG_MEDIA comp-lmpxf0qy\" class=\"ROWgFb\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eSeries: \u003c\/strong\u003e\u003cem\u003e#ilovedumplings \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize: \u003c\/strong\u003e14 inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eDecal on Porcelain\u003c\/p\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54587159314798,"sku":"SL-018","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-018-1-web.jpg?v=1790765528"},{"product_id":"plate-3","title":"#ilovedumplings | Plate One","description":"\u003cp\u003eThis work is a part of Saule Dyussenbina's ongoing series \u003cem\u003e#ilovedumplings. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist’s statement:  \u003cem\u003eWe are what we eat. \u003c\/em\u003e\u003cem\u003eThe series began with a question: “Why are there no dumplings left?” Or perhaps with a memory. In the 1990s, I travelled from Kazakhstan to Moscow with my art school classmates for museum practice. After one of our museum visits, we went to eat at a dumpling café. We stood in line, and one of my classmates, a Kazakh student speaking Russian with a noticeable accent, asked exactly that question. I remember feeling a sharp sense of embarrassment at his mistake and the way he spoke.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLooking back now, I understand what kind of “dumplings” we all were. Those of us who had learned to feel ashamed of imperfect Russian, of an accent, and, by extension, of our own culture. My “dumplings” take on different social types and attitudes, from xenophobes and neophobes to housewives and other everyday characters. Imperfect, ridiculous and sometimes funny, they are trying to hold relevant conversations in difficult times. \u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSaule Dyussenbina is a multimedia artist living and working in Almaty (Kazakhstan), whose conceptually layered, often ironic work moves between Kazakh identity, feminism, history and design. Working across painting, print, video, performance and object-making, she merges traditional Kazakh ornament with personal history and global references. \u003c\/p\u003e\n\u003cp\u003eHer work has been shown at the 24th Biennale of Sydney, the Armory Show in New York, and the Dallas Art Fair, and is held in the collections of LACMA, the KADIST Art Foundation in Paris, and the A. Kasteyev State Museum of Arts in Almaty.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited edition for SovaLova LA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"bgLayers_comp-lmpxf0qy\" data-hook=\"bgLayers\" data-motion-part=\"BG_LAYER comp-lmpxf0qy\" class=\"QG9w8P\"\u003e\n\u003cdiv id=\"bgMedia_comp-lmpxf0qy\" data-motion-part=\"BG_MEDIA comp-lmpxf0qy\" class=\"ROWgFb\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eSeries: \u003c\/strong\u003e\u003cem\u003e#ilovedumplings \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize: \u003c\/strong\u003e14 inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eDecal on Porcelain\u003c\/p\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54587211710830,"sku":"SL-017","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-017-1-web.jpg?v=1790765783"},{"product_id":"tall-vase","title":"Totem Three","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEach piece was shaped intuitively on the factory floor, allowing the material itself to guide the final form and making every work unique. The work draws on the traditions of the Gus Crystal Factory in the Meshchera region, founded in 1756, as well as the glassmaking heritage of Murano, Venice, but ultimately informed by exotic nature of Brasil. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eOlga Treivas is a São Paulo-based architect, designer and glass artist, and founder of Treivas Architecture Bureau. Her crystal work influenced by the traditions of the oldest glassworks in Europe. The Totem is designed by Treivas and made by Cristais Tavares in Brazil in 2026, the piece premiered at SP-Arte, São Paulo.  \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize: \u003c\/strong\u003e28 inches \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ecrystal glass\u003c\/p\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54587246149998,"sku":"SL-024","price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-024-1-web.jpg?v=1790442756"},{"product_id":"patern-1","title":"Kazakh Funny Games | Hunting Ornament","description":"\u003cp\u003e\u003cem\u003eHunting Ornament\u003c\/em\u003e is a part of the series \u003cem\u003eKazakh Funny Games\u003c\/em\u003e by Saule Dyussenbina. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe artist reworks one of the earliest and most widely reproduced images of a Kazakh figure, created by the renowned 19th-century artist Vasily Vereshchagin. The original depicts a hunter with his falcon, drawing on the long tradition of falconry in Kazakhstan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSaule Dyussenbina is a multimedia artist living and working in Almaty, Kazakhstan, whose conceptually layered, often ironic work moves between Kazakh identity, feminism, history and design. Working across painting, print, video, performance and object-making, she merges traditional Kazakh ornament with personal history and global references. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHer work has been shown at the 24th Biennale of Sydney, the Armory Show in New York, and the Dallas Art Fair, and is held in the collections of LACMA, the KADIST Art Foundation in Paris, and the A. Kasteyev State Museum of Arts in Almaty.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMade to order \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003epeel-and-stick linen or Terralon smooth \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFinish:\u003c\/strong\u003e matte\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eContact for more details\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"mailto:connect@sovalovala.com\" target=\"_blank\"\u003econnect@sovalovala.com\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54587266957678,"sku":"SL-026","price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/HSL-026-huntingornamentweb_8515b212-20a1-4847-8d63-53a6c806f8d7.jpg?v=1790675302"},{"product_id":"screen-2","title":"Kazakh Funny Games | Objective Ornament","description":"\u003cp\u003e\u003cspan\u003e\u003cem\u003eObjective Ornament \u003c\/em\u003eis a part of the series \u003cem\u003eKazakh Funny Games\u003c\/em\u003e by Saule Dyussenbina. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis work enters into dialogue with Goya’s drawing from \u003cem\u003eLos Caprichos (1797–1798):\u003c\/em\u003e \u003cem\u003eThey've Already Got a Seat \u003c\/em\u003e(Ya tienen asiento), and it is reinterpreting this imagery through a contemporary Kazakh context.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe women wear \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ekimeshek\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, traditional Kazakh headdresses worn by married women, while overturned chairs rest on their heads like a physical burden. The image speaks to the pressure, constraint and instability women can experience within patriarchal structures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSaule Dyussenbina is a multimedia artist living and working in Almaty, Kazakhstan, whose conceptually layered, often ironic work moves between Kazakh identity, feminism, history and design. Working across painting, print, video, performance and object-making, she merges traditional Kazakh ornament with personal history and global references. \u003c\/p\u003e\n\u003cp\u003eHer work has been shown at the 24th Biennale of Sydney, the Armory Show in New York, and the Dallas Art Fair, and is held in the collections of LACMA, the KADIST Art Foundation in Paris, and the A. Kasteyev State Museum of Arts in Almaty.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMade to order \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003epeel-and-stick linen or Terralon smooth \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFinish:\u003c\/strong\u003e matte\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eContact for more details\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"mailto:connect@sovalovala.com\" target=\"_blank\"\u003econnect@sovalovala.com\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54587271545198,"sku":"SL-027","price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-027-1-web.jpg?v=1790704061"},{"product_id":"chest-1","title":"Furniture I Emma in Paraty series","description":"\u003cp\u003eThe Emma in Paraty series begins with a memory from Olga Treivas’s childhood in the Soviet Union: a drawer where pieces of a kid’s metal construction kit lay tangled together with yarn. In this series that memory is reworked through the materials and craft traditions of Brazil. Cold metal is replaced with jatobá wood, while a perforated sun motif is filled with hand embroidery. These furniture pieces bring together two worlds that have shaped her visual language: the improvised, tactile material culture of her childhood and the warmth, materiality and craft traditions of Brazil. Emma in Paraty premiered at SP-Arte, São Paulo.\u003c\/p\u003e\n\u003cp\u003eTreivas and her studio nicknamed the pieces sol na peneira, a play on the Brazilian saying tapar o sol com a peneira, literally “to cover the sun with a sieve”, used to describe an unconvincing attempt to hide a truth. The embroidery is deliberately irregular. Rather than concealing imperfection, the chair makes it part of the object’s character.\u003c\/p\u003e\n\u003cp\u003eNow based in São Paulo,  Olga Treivas is an architect, designer and glass artist, and founder of Treivas Architecture Bureau. Her practice moves between architecture, collectible design and material experimentation, often bringing together historical references, craft and contemporary production.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eLimited edition \u003c\/strong\u003e|\u003cstrong\u003e \u003c\/strong\u003e8 + 2 AP\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan\u003eSize:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 35.4 × 45.7 × 15.7 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ej\u003cspan\u003eatobá wood \u003cmeta charset=\"utf-8\"\u003e(hymenaea courbaril), yarn\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54587293335918,"sku":"SL-021","price":12000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-021-1-main-web.jpg?v=1790443082"},{"product_id":"short-vase","title":"Totem One","description":"\u003cp\u003eEach piece was shaped intuitively on the factory floor, allowing the material itself to guide the final form and making every work unique. The work draws on the traditions of the Gus Crystal Factory in the Meshchera region, founded in 1756, as well as the glassmaking heritage of Murano, Venice, but ultimately informed by exotic nature of Brasil.\u003c\/p\u003e\n\u003cp\u003eOlga Treivas is a São Paulo-based architect, designer and glass artist, and founder of Treivas Architecture Bureau. Her crystal work influenced by the traditions of the oldest glassworks in Europe. The Totem is designed by Treivas and made by Cristais Tavares in Brazil in 2026, the piece premiered at SP-Arte, São Paulo.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize: \u003c\/strong\u003e35 inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ecrystal glass \u003c\/p\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54587301658990,"sku":"SL-023","price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-023-Totem-AT-1web.jpg?v=1790433089"},{"product_id":"yn-6","title":"Dnipro-Lotsmanska, Ukraine","description":"\u003cp\u003eA waiting hall with tall windows on both sides, rows of turquoise plastic seats facing a ceramic mosaic that fills the end wall. Steelworkers, builders and scientists are arranged across it in three groups, drawn in pale gold and blue tesserae. A doorway has been cut through the mosaic's right side, and a red fire panel mounted beside it. \u003c\/p\u003e\n\u003cp\u003eThe mosaic was made in 1975 by Roman Shusterman and Leonid Talskyi. Its subject is the industrial city at work, the trades pictured together, in common purpose.\u003c\/p\u003e\n\u003cp\u003eFrom Yevgen Nikiforov's series Ukrainian Soviet Mosaics, a photographic survey of monumental mosaic art across Ukraine.\u003c\/p\u003e\n\u003cp\u003ePlease note that the actual color of the product may differ from the photographs on the website due to the color rendering of your device.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEdition No: \u003c\/strong\u003e5\/10\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrint Size:\u003c\/strong\u003e 16 \u003cmeta charset=\"utf-8\"\u003e× 24 inches \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eOrientation: \u003c\/strong\u003elandscape\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMedium: \u003c\/b\u003edigital print, Hahnemuhle Photo Rag\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYear photograph was taken: \u003c\/strong\u003e2015\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYear print was produced: \u003c\/strong\u003e2026\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e© Yevgen Nikiforov. Image courtesy of the photographer and used with permission. All rights reserved. No reproduction, distribution, publication or commercial use without prior written permission.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5 style=\"text-align: left;\"\u003e\n\u003cstrong\u003e←\u003c\/strong\u003e\u003ca href=\"https:\/\/sovalovala.com\/collections\/yevgen-nikiforov\"\u003eYevgen Nikiforov Collection\u003c\/a\u003e\n\u003c\/h5\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54587303854446,"sku":"SL-030","price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/Dnipro-LotsmanskaTrainStation.Ukraine.jpg?v=1790348999"},{"product_id":"yn-7","title":"Shostka,Ukraine","description":"\u003cp\u003eA swimming pool under a vaulted white ceiling, ribbed arches running the length of the hall, empty red and yellow seating on both sides. At the far end, filling the whole back wall, a mosaic in red, blue and ochre — curving bands and spirals that read as strips of colour film unspooling. A man sits alone on a starting block.\u003c\/p\u003e\n\u003cp\u003eThe pool belonged to the Svema factory in Shostka, which made photographic film. The mosaic is an abstract composition referring to the flow of colour film, the plant's main product. Its artist is unknown.\u003c\/p\u003e\n\u003cp\u003eFrom Yevgen Nikiforov's series \u003ca href=\"https:\/\/sovalovala.com\/collections\/yevgen-nikiforov\"\u003eUkrainian Soviet Mosaics\u003c\/a\u003e, a long-running photographic survey of monumental mosaic art across Ukraine.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEdition No: \u003c\/strong\u003e1\/10\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrint Size:\u003c\/strong\u003e 16 \u003cmeta charset=\"utf-8\"\u003e× 24 inches\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eOrientation: \u003c\/strong\u003elandscape\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMedium: \u003c\/b\u003edigital print, Hahnemuhle Photo Rag\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYear photograph was taken: \u003c\/strong\u003e2017\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYear print was produced: \u003c\/strong\u003e2026\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e© Yevgen Nikiforov. Image courtesy of the photographer and used with permission. All rights reserved. No reproduction, distribution, publication or commercial use without prior written permission.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5 style=\"text-align: left;\"\u003e\n\u003cstrong\u003e←\u003c\/strong\u003e\u003ca href=\"https:\/\/sovalovala.com\/collections\/yevgen-nikiforov\"\u003eYevgen Nikiforov Collection\u003c\/a\u003e\n\u003c\/h5\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54587322597742,"sku":"SL-029","price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/Shostka.Ukraine.jpg?v=1790347073"},{"product_id":"lilit-5","title":"Tree, Haghartsin Monastery, Armenia","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn \u003cem\u003eTree, Haghartsin Monastery, Armenia\u003c\/em\u003e, Lilit Matevosyan frames a weathered tree trunk against the centuries-old stone walls of Haghartsin Monastery, near Dilijan in Armenia's Tavush Province. Suspended between growth and decay, the image reflects on endurance, transformation, and the passage of time within the landscapes of the South Caucasus.\u003c\/span\u003e\u003cstrong\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLilit Matevosyan is an artist, photographer, and video artist. \u003c\/span\u003e\u003cspan\u003e Her practice explores memory, borders, and identity through the histories and landscapes of the South Caucasus and the Black Sea coast.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited edition: \u003c\/strong\u003e5 + 1АР\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eType: \u003c\/strong\u003ePhotography\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrint Size:\u003cmeta charset=\"utf-8\"\u003e \u003c\/strong\u003e16 × 12 inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYear: \u003c\/strong\u003e2023\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e©  All rights reserved. No reproduction, distribution, publication or commercial use without prior written permission.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5 style=\"text-align: left;\"\u003e\n\u003cstrong\u003e←\u003c\/strong\u003e \u003ca href=\"https:\/\/sovalovala.com\/collections\/lilit\"\u003e\u003cspan\u003eLilit Matevosyan\u003c\/span\u003e Collection\u003c\/a\u003e\n\u003c\/h5\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54587424309614,"sku":"SL-035","price":1750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/LM-work3h3kpx.jpg?v=1790075495"},{"product_id":"aida-blanket-2","title":"Qonşular","description":"\u003cp\u003ePeach-washed stucco fills the whole field, and set into it a run of windows that agree on nothing: dark shutters closed tight, a green balcony rail, a window box spilling over, a pale frame with the glass thrown open. One wall, one household after another. The title is Azerbaijani for Neighbors, and you can read the whole street off a single facade.\u003c\/p\u003e\n\u003cp\u003eAida Mahmudova is an established Azerbaijani artist whose landscapes and semi-abstract canvases have been exhibited internationally. She paints fluid landscapes, memories, and spaces using a soft, earthly palette. This blanket, produced by CHELEBI, translates her painting \u003cem\u003eQonşular, \u003c\/em\u003emeaning\u003cem\u003e \u003c\/em\u003e\u003cem\u003eneighbour, \u003c\/em\u003einto cotton jacquard and is released in a limited edition.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 71 × 51 inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003e100% cotton\u003c\/p\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54587472642414,"sku":"SL-012","price":900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-012-bl1-web_570a7bee-fb67-4b13-8c95-01859f27effb.jpg?v=1791377239"},{"product_id":"aida-blanket-3","title":"Vineyard","description":"\u003cp\u003eVine leaves crowd the left and centre in green, coral and rust, drawn in quick looping marks that gather and overlap. At the right edge, the growth thins into bare contour against pale blue. The same leaves are reduced from mass to line, recalling the way a vineyard reads when viewed upwards against the sky.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAida Mahmudova\u003cstrong\u003e \u003c\/strong\u003eis an established Azerbaijani artist whose landscapes and semi-abstract paintings have been exhibited internationally. Her work often draws on landscape, memory and place, using a soft, earthy palette. \u003c\/span\u003eThe design for this blanket is based on Mahmudova’s painting \u003cem\u003eVineyard\u003c\/em\u003e, translated into cotton jacquard and produced by CHELEBI in a limited edition.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 71 \u003cmeta charset=\"utf-8\"\u003e× 51 inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003e100% cotton\u003c\/p\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54587489583470,"sku":"SL-010","price":900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-101-alt2-web.jpg?v=1791403103"},{"product_id":"soap-holder","title":"Rubel Board Soap Dish","description":"\u003cp\u003eThe wooden soap dish has a textured shape that mimics the design of a \u003cem\u003erubel\u003c\/em\u003e, a transversely grooved object once used in Eastern European villages for washing and ironing laundry. Each soap dish has its own unique texture and color, so it may differ from the image.\u003c\/p\u003e\n\u003cp\u003eValkeda is an Eastern European studio working in a Nordic minimalist idiom. The name comes from a form of the Old Veps word for clean, white, with the stress on the first syllable. The studio describes its approach this way: forms as simple as beauty allows, and as ornamented as measure allows — emotional, but never overloaded. Restraint and accord.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize: \u003c\/strong\u003e4.75 × 3.25 × 1.25 inches\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e solid ash wood\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"SovaLova LA Concept Store","offers":[{"title":"Default Title","offer_id":54587732132206,"sku":"SL-009","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/files\/SL-009-1-web.jpg?v=1790681350"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/3124\/2350\/collections\/blue_logo_INSTA_2500px.png?v=1781365632","url":"https:\/\/sovalovala.com\/collections\/art-objects-catalogue.oembed","provider":"SovaLova LA Concept Store","version":"1.0","type":"link"}